celebreMagazine World on stage with the Golden Age and its Queens

Centuries later the Elizabethan era returned to the present day with Elizabeth II, an emblem not only of the English crown but of a whole century, iconised by pop culture and by Andy Warhol himself, by the internet, TV series, and cinema.

Between the two eras, the Victorian period completes the triad of heydays with the sovereign symbol of British imperialism, Queen Victoria. The Eta Edition of celebreMagazine is a tribute to the ruler who, in the process of decolonisation, led the transformation of the Empire into the Commonwealth while maintaining a profound relationship with the peoples of the former colonies.

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As William Shakespeare wrote “All the world’s a stage”, and to each queen, her own stage can be seen as the world at large for those who interpret the greatest of plays – life.

Women refined in mind and aesthetic taste, glorious and strategic, who dictate the style and inspire it in life and after centuries, as did Catherine de’ Medici in Maison Dior’s latest fashion show or Elizabeth II herself with her dress code and its accessories reinterpreted by the creative minds of the fashion industry.

Kings and queens, losers and winners, hearts in love and broken, seeking revenge and forgiveness. It seems that all the meanders of the human soul have passed through Bard’s pen in a dimension capable of crossing time and space, revealing the constant relevance of his writings.

The poet of the heart, as Oscar Wilde called him, had an exceptional supporter under which the arts and above all the theatre that she loved so much flourished and remained steadfast against the Puritan’s accusations of immorality: Elizabeth, the first of the queens who wrote the golden ages of the Anglican monarchy.

The role of monarch was considered to be a man’s job. Still, she successfully ruled the country contrary to this popular belief, surviving the conspiracies that sought to bring about her death and undermining with diplomacy and intuition power games that would have neutralised her.

Daughter of Henry VIII and Anna Boleyn, beheaded by her spouse so that he could enter into a new marriage by declaring the previous ones illegitimate, she challenged the male command to prove her own and transformed England, to which she was said to be married, from a second-rate nation to an undisputed power.

A platinum edition that talks about artists who celebrate femininity by paying homage to the creative force of women and jewels in motion that enhances her tell of an idea of ​​beauty that changes from Egypt to Greece, from the Renaissance to the present day. To move forward.

 

Article edit by Claudia Chiari

Editorial Director celebreMagazine World